Applying techniques I learned from here:
Top memorization techique is worth the investment: mentally create movie with distinct memorable visual, audio, smell, etc.
Things I noticed and memory aids I devised to memorize the 16 main suttas of Snp 5 pÄrÄyana vagga.
KN Snp 5.4 Puį¹į¹aka-mÄį¹ava-pucchÄ: The Questions of Puį¹į¹aka
“Anejaį¹ mÅ«la-dassÄviį¹, | “To the imperturbable, the seer of the root,” |
ššname punnaka looks and sound like Puna (district in Hawaii)
So I visualize the setting puna, hawaii, and punnaka is looking at the Buddha, who is standing frozen like a statue (frozen to remember the word imperturbable).
The Buddha is frozen, staring (dassa) at the root (mūla) of a tree .
I visualize a movie of this part just as sutta describes, in same order:
Kiį¹ nissitÄ isayo manujÄ, | On what grounds have hermits and men, |
KhattiyÄ brÄhmaį¹Ä devatÄnaį¹; | warrior-nobles and brahmins |
YaƱƱam-akappayiį¹su puthÅ«dha loke, | performed so many different sacrifices here in the world to the gods? |
ššvisualize humans being tied up and aging super quickly on torture racks with stacks of food and paper money and other sarcrificial items all around them for this part:
ÄsÄ«samÄnÄ puį¹į¹aka itthattaį¹; | Hoping for some state of existence, |
Jaraį¹ sitÄ YaƱƱam-akappayiį¹su”. | all performed sacrifices bound to old age.” |
KN Snp 5.5 MettagÅ«-mÄį¹ava-pucchÄ: The Questions of MettagÅ«
“PucchÄmi taį¹ bhagavÄ brÅ«hi me taį¹, | “I ask you, Blessed One; please tell me this,” |
(iccÄyasmÄ mettagÅ«) | (said Venerable MettagÅ«,) |
MaƱƱÄmi taį¹ vedaguį¹ bhÄvitattaį¹; | “for I think you are a knowledge master, evolved. |
Kuto nu dukkhÄ samudÄgatÄ ime, | Where do all these sufferings come from, |
Ye keci lokasmim-aneka-rÅ«pÄ”. | in all their countless forms in the world?” |
šš Visualize a brahmin skilled in 'metta', chewing gum, but wincing in pain because his teeth are rotten. He approaches the Buddha, also chewing gum (Buddha is veda-guį¹), to ask about the dukkha from the tooth ache.
KN Snp 5.10 šøTodeyya-mÄį¹ava-pucchÄ: The Questions of Todeyya
“Yasmiį¹ kÄmÄ na vasanti, | “In whom sensual pleasures do not dwell,” |
(iccÄyasmÄ todeyyo) | (said Venerable Todeyya,) |
Taį¹hÄ yassa na vijjati; | “and for whom there is no craving, |
Kathaį¹
-kathÄ ca yo tiį¹į¹o, | and who has crossed over doubts— |
Vimokkho tassa kÄ«diso”. | of what kind is their liberation?” |
ššThe name Todeyya sounds like the word 'Toad' šø.
And the theme of the sutta, is the frequent them of conquering lust.
So I visualize brahmin Todeyya has a toad head for his head, and is surrounded by beautiful women.
KN Snp 5.12 Jatukaį¹į¹i-mÄį¹ava-pucchÄ: The Questions of Jatukaį¹į¹Ä«
“SutvÄn-ahaį¹ vÄ«ram-a-kÄma-kÄmiį¹, | “Hearing of the hero with no sensual desire for sensual pleasures,” |
(iccÄyasmÄ jatukaį¹į¹i) | (said Venerable Jatukaį¹į¹Ä«,) |
OghÄtigaį¹ puį¹į¹hum-a-kÄmam-Ägamaį¹; | “who has passed over the flood, I’ve come with a question for that desire-less one. |
ššFor hero (vÄ«ra) I picture the George Reeves version of superman, because his skin tight clothing will make another part of the sutta very easy to remember
BhagavÄ hi kÄme abhi-bhuyya iriyati, | For, having mastered sensual desires, the Blessed One proceeds, |
Ädiccova pathaviį¹ tejÄ« tejasÄ; | as the blazing sun shines on the earth. |
ššOf the 32 marks of a great man, one that has to do with lust is the retractable penis.
In that photo of superman above, I visualize there's no bulge where superman's family jewels are, representhing that mark of a great man.
Several suttas in the 16 suttas of Snp 5 have to do with removing lust, and sometimes is the process of memorizing you can mix up passages from other suttas. So having very detailed, distinct visuals that differentiate from each other really makes this sutta memorable.
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